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MATT
OTTLEY
On 15 August
2008 Matt Ottley’s book, Requiem for a Beast,
was awarded Picture Book of the Year by the Children’s Book Council
of Australia. This decision has caused some controversy. Matt Ottley
has posted the following statement:
‘Thank
you to all of the people who have written to me in support of my
award, and of the book. Your emails have been greatly appreciated.
For those of you who have seen or heard critical reports in the tabloid newspapers
and commercial television stations, please read the book before making any
judgements about it. Some of those reports have been scurrilously misrepresentative,
particularly Channel Nine’s story on ‘A Current Affair’. ‘A
Current Affair’ was also misleading in its statement that I had declined
an interview.
The main complaint about the book relates to the occasional use of strong language.
There is, in fact, only a minimal amount of strong language in Requiem
for a Beast, and this is intended to reflect the language often used
by Australian stockmen. In just over ten thousand words, the particular word
that seems to have offended some people occurs only five times. One only has
to flick through the young adult books in bookstores to realise that the use
of language in Requiem for a Beast is mild by comparison with
many other works for older teens and adults.
Another criticism of the work has been that it ‘contains themes of suicide’.
The references to suicide in Requiem for a Beast are oblique,
and the word ‘suicide’ is used only in relation to the suffering
of families affected by the stolen generations.
I have come to realise, from the tone and language of some of the emails I’ve
received, that sadly, racism and bigotry are alive and well in this country.
We can continue to bury our heads in the sand about these issues, or we can
confront them by exposing them for scrutiny. That is often the role of literature
such as Requiem for a Beast.
The cover and title of the book alone would suggest that this is not a book
for young children. If your local bookstore has placed it in an inappropriate
section, then that is a matter to be discussed with them.
The charter of
the Children’s Book Council of Australia is to promote, through
its work and its awards, literature for children up to the age of
eighteen. Requiem for a Beast is a book for young
adults and adults, and no one has ever suggested that it is anything
other than that. Shame on the individuals in the media who have alleged,
by implication, that it is a work for younger readers. This is quite
clearly very lazy, sensationalist reporting.
For those who are suggesting that I’m ‘cashing in’ on the
plight of the stolen generations, please note that I have not earned any income
from this book in the year that it has been in print. All of my royalties have
been donated to a just cause. And while I received Australia Council funding
for the production of the book, that funding came nowhere near to meeting the
costs. I spent much of my own money on production costs of the book and accompanying
CD.
In the year leading up to the CBCA awards, Requiem for a Beast attracted
a steadily growing audience and much critical acclaim. The responses from senior
high school students from Catholic, Anglican and state schools where the book
has been studied have been overwhelmingly positive.
The following
quote is from Lewis, a year nine student from Victoria:
The book holds
three intertwining stories about a young boy and a wild bull, an
aboriginal woman of the stolen generation, and a man with recurring
memories of a terrible wrong. The words scream out to you from the
page, hammering their message of love and home lost. With pictures
that flow from the brush and pen of a master, the swirls and colours
speak to your soul, showing you the joy of the land and the pain
of loss. The book explores the dark side of history taken from a
people, despair and pain suffered by thousands. These stories mix
to create a fascinating tapestry of light and sound.
The following extract is from the CBCA judges report for the 2008 awards:
Ottley’s
picture book is an artistic masterpiece for an older audience. In
his own words, this picture book is a ‘work for image, word
and music’, and the combination of word and image is powerful.
Visually it is stunning… This book is neither a comfortable
nor a happy reading experience, but it must be appreciated for its
artistic excellence and brilliance of meaning.
Matt Ottley was born in 1962
in the Highlands of Papua New Guinea where he spent the first twelve
years of his life. His family then moved to Sydney, where he attended
high school and studied painting under the artist Stan Clements. Struck
by wanderlust after completing school, Matt worked as a jackeroo on
cattle stations in western Queensland before returning to Sydney to
study fine arts at the Julian Ashton School of Art. He also began studying
the classical guitar and musical composition.

Matt has travelled
widely, both within Australia and Europe. He lived for two years
in Britain where his paintings were exhibited in some of London's
leading galleries. His work has also been shown widely across New
South Wales and Queensland. He continued to work from time to time
as a stockman on remote cattle stations, then settled in Sydney in
1993 to work as a landscape gardener and creative artist. He now
lives in the Tweed Valley (northern NSW) where he continues to write
and illustrate books, and to compose music.
  
Matt has had illustrations
published in numerous books, both fiction and nonfiction. His books
have continued to grow in popularity, What Faust Saw having
become an international bestseller along with its sequel, Faust's
Party shortlisted for the 2001 CBC Awards). Sailing
Home (with Colin Thompson), a CBC Notable Book in 1997,
and Mrs Millie's Painting (1997) were also extremely
well received. Luke's Way of Looking (with Nadia
Wheatley), released in 1999, was an Honour book in the 2000 CBC
Picture Book of the Year Awards.

Matt is now established
as a formidable force in the world of children's literature. His
recent picture books include Hyram and B (text by Brian
Caswell), and two collaborations with author Josie Montano, The
Bubble and The Penguin. Matt's latest book, Requiem
for a Beast, is an ambitious project that combines all his
talents as a writer, painter and composer. He describes this as a
'multi-modal work', using the formats of graphic novel, picture book,
novella and musical score. This ground breaking book has been shortlisted
in the CBCA 2008 Picture Book of the Year Awards. A new picture book
with text by John Marsden, Home and Away, is due
for release later this year and Matt is currently working on a book
with Gary Crew, The Serpent’s Tale.
  
Matt has a range
of talks and workshops to suit students across the K - 12 spectrum.
Because of his diverse background, he particularly welcomes the chance
to work with pre-adolescent and adolescent boys, addressing issues
of self-esttem, male stereotyping and masculinity and encouraging
their creativity. If a residency is under consideration, involve
teachers in the art and music departments to maximise the benefits
of Matt's visit.
  
More information,
including extensive teacher’s notes, can be found at Matt's
website.
Feedback from
Matt's school visits:
"Matt was
great. They loved being able to create a story together which Matt
drew and the class got to keep! Matt is so talented and fantastic
with the students. He cleverly wove music, art, writing and imagination
to capture and engage the students throughout the session. It was
great to have all the children draw under his guidance and see the
satisfaction of achievement in every one of them"
"I must say that the time we spent with Matt Ottley was just amazing. Such
a talented man! The kids are still talking and that is saying something ... Excellent
presentations ... His techniques and ideas reinforced a lot of the curriculum
(added bonus!) ... It was a screaming success."
"Students were all engrossed in what Matt was doing and saying. Some are
now trying to follow his methods of drawing and painting. Well worth waiting
for!"
Click
here for a list of Matt's published books
Click
here for a print-friendly version of this page

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